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Working with diverse teams and communities, funders and influencers, Canadian filmmaker Liz Marshall has written, directed, produced and filmed multiple impactful documentary projects around the globe since the 1990s. Motivated by the transformative language of film and television, her award-winning work is exhibited and reviewed widely. Born and raised in Toronto, Liz is a settler of mixed European descent grateful to be living by the sea on the unceded homelands of the shíshálh and sḵwx̱wú7mesh Peoples. Dedicated to truth seeking and bridge building, Liz’s feature-length work includes Meat the Future (2020) Midian Farm (2018) The Ghosts in Our Machine (2013) Water on the Table (2010.)

Liz is currently in production on a documentary in collaboration with three Indigenous multimedia creators who are learning and documenting the traditional cultural teachings and legacies of their Elders. Slated for completion in 2023. 

Liz’s work has taken her around the globe to West and sub-Saharan Africa, the Middle East, South and South East Asia, Central and Eastern Europe, Central and South America, and across Canada and the United States. 

Her films have been released theatrically, on streaming and digital platforms, for global broadcasters, at top-tier film festivals, for hundreds of grassroots communities, for influencers and celebrities, at museums, a Tragically Hip rock concert, for world leaders, and are distributed within the educational market.

See Liz Marshall’s full portfolio here, including short films, music videos and music documentaries. 

Rent and purchase films here. 

The global success and social impact of the critically acclaimed documentary The Ghosts In Our Machine, is reflected in a global impact evaluation report funded by the Doc Society.

Read report here

Liz Marshall’s work has been reviewed widely. 

See press coverage here


During early childhood in Ontario, Liz (Cowie) Marshall’s family lived on a back-to-the-land commune, as chronicled in her personal documentary Midian Farm. Her 2017 Masters of Fine Arts degree (MFA) in Cinema Production from York University, centred on the themes of Midian Farm as a unique 1970s Canadian social experiment.

Liz Marshall began her creative career at age 12, acting with Toronto Studio Players, a street and studio style theatre company. At 16, Liz bought her first 35mm film camera, which inspired a vision behind the lens. 

In the mid-90s, fresh out of Ryerson University’s Media Arts Bachelor of Applied Arts program (BAA), Liz Marshall was commissioned by American folk-icon Ani DiFranco and her pioneering record label Righteous Babe Records to document Ani’s life as a touring musician in parts of the US and Canada. In 1995, Liz directed a multimedia approach, consisting of Super 8mm and 16mm film, hi-8 video, photographs and digital audio recordings of Ani on the road, behind the scenes, and performing for sold-out audiences.

From 1999 – 2003, Liz worked as a freelance arts, news and specials producer and videographer at the storied CHUM/CityTV building in Toronto, helmed by media mogul Moses Znaimer. She produced dozens of segments, one-hour specials, and filmed iconic artists, celebrities and musicians for Bravo!NewStyleArts Channel, MuchMusic, and BookTelevision: The Channel.

Liz Marshall worked as Media Director for the Non Governmental Organization War Child Canada and directed her first social-impact documentary Musicians In the WarZone (2001), produced by War Child Canada and MuchMusic, featuring Canadian music artists Chantal Kreviazuk, Raine Maida, the Rascalz, and David Usher in war zones Iraq and Sierra Leone, and at the Thai-Burmese border. From 2006-2007, Liz directed and co-produced a trilogy of short documentaries with the Stephen Lewis Foundation about the HIV/AIDS pandemic across sub-Saharan Africa affecting and impacting children, women, and grandmothers. 

Liz Marshall is an active member of the Canadian film community. She has been a member of DOC (Documentary Organization of Canada) since 2007, and served for three terms (2011-2016) as an elected board member of the Toronto chapter of DOC, which formed the DOC Institute – the collective voice for Toronto’s indie documentary filmmakers. Liz is a member of the Directors Guild of Canada – BC Chapter – a provincial labour organization representing more than 1,900 key creative and logistical personnel working in the screen-based industries. Liz is a core member of the Canadian chapter of Film Fatales, a global collective of female directors dedicated to the creation of more films and television by and about women.